Hank Williams Jr Album Cover Art Luke the Drifter Vol 2
| The Bootleg Series Vol. 11: The Basement Tapes Complete | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by Bob Dylan and the Band | ||||
| Released | November 4, 2014 (2014-11-04) | |||
| Recorded | June–October 1967 | |||
| Studio | "Big Pinkish," Westward Saugerties, New York | |||
| Genre | Folk, roots rock | |||
| Length | 6:33:49 | |||
| Label | Columbia | |||
| Bob Dylan chronology | ||||
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| The Band chronology | ||||
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| Bob Dylan Bootleg Series chronology | ||||
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The Bootleg Serial Vol. 11: The Basement Tapes Complete is a compilation album of unreleased home recordings made in 1967 by Bob Dylan and the group of musicians that would become the Ring, released on November 3, 2014 on Legacy Records. Information technology is the ninth installment of the Bob Dylan Bootleg Series, available as a six-disc complete set, and equally a split up two-disc prepare of highlights – common to the remainder of the series – entitled The Basement Tapes Raw .
Revered for decades every bit the "holy grail" for music collectors and Dylan fans,[1] [2] the recordings take been notoriously bootlegged by collectors in diverse forms throughout the years, some of which were included on what is arguably the commencement rock homemade album ever, Great White Wonder, released in July 1969.[3] The Basement Tapes Complete is the first time the consummate sessions, containing 138 tracks of which 117 were not previously issued, have been officially released. Of these tracks 23 are alternate takes, making 115 singled-out songs in the set up of which some heard in ii or iii dissimilar takes. The Basement Tapes Consummate was universally acclaimed upon release past critics and fans alike, and went on to win All-time Historical Album at the 58th Annual Grammy Awards.[four]
The liner notes for The Bootleg Series Vol. xi are by Sid Griffin, American musician and author of Million Dollar Bash: Bob Dylan, The Band, and The Basement Tapes.[5]
History of recordings [edit]
"Big Pink", location of the recording sessions for The Basement Tapes
The basement recordings were fabricated during 1967, after Dylan had withdrawn to his Woodstock home in the backwash of a motorcycle blow on July 29, 1966.[half-dozen] [seven] Recording sessions began in a den known as "The Red Room" in Dylan's home, earlier moving to an improvised recording studio in the basement of a house known as Big Pink, where Rick Danko, Richard Manuel and Garth Hudson lived. The sessions lasted roughly from May to Oct 1967.[8] In October 1967, a fourteen-vocal demo record was copyrighted and the compositions were registered with Dwarf Music, a publishing company jointly owned past Dylan and his manager Albert Grossman.[9] Acetates and tapes of the songs then circulated amidst interested recording artists.[10] [a 1] Dylan has referred to commercial pressures behind the basement recordings in a 1969 interview with Rolling Rock: "They weren't demos for myself, they were demos of the songs. I was being PUSHED again into coming up with some songs. You know how those things go."[xi]
Peter, Paul and Mary had the first striking with a basement composition when their cover of "As well Much of Nothing" reached number 35 on the Billboard chart in late 1967.[12] Ian & Sylvia, likewise managed by Grossman, recorded "Tears of Rage", "Quinn the Eskimo" and "This Wheel's on Burn".[13] In Jan 1968, Manfred Mann reached number 1 on the U.k. singles chart with their recording of "The Mighty Quinn".[fourteen] In April, "This Bike'south on Fire", recorded by Julie Driscoll, Brian Auger and the Trinity, hit number five on the UK nautical chart.[15] That same month, a version of "You Ain't Goin' Nowhere" by the Byrds was issued equally a single. Along with "Nothing Was Delivered",[16] it appeared on their land-stone album Sweetheart of the Rodeo, released in August.[17] The Hawks, officially renamed the Band,[a two] recorded "This Bike's on Burn", "I Shall Exist Released" and "Tears of Rage" for their debut album, Music from Big Pink, released in July 1968. Fairport Convention covered "Million Dollar Bash" on their 1969 album Unhalfbricking.[18]
In July 1969, the first rock homemade appeared in California, entitled Corking White Wonder. The double album consisted of 7 songs from the Woodstock basement sessions, plus some early recordings Dylan had made in Minneapolis in December 1961 and one runway recorded from The Johnny Cash Show. One of those responsible for the homemade, identified only as Patrick, talked to Rolling Stone: "Dylan is a heavy talent and he's got all those songs nobody'due south e'er heard. We thought nosotros'd take information technology upon ourselves to make this music available."[19] The process of bootlegging Dylan's piece of work would somewhen see the illegal release of hundreds of live and studio recordings, and pb the Recording Manufacture Association of America to describe Dylan as the about bootlegged artist in the history of the music manufacture.[20]
The basement recordings became the ground for Dylan's 1975 official release The Basement Tapes. This album was criticised past Dylan critic Michael Gray considering it contained recordings past the Ring on their ain, and because important Dylan songs were omitted from the option.[21] Subsequent to the official 1975 release, more than than 100 recordings from the Basement Tapes began to broadcast in bootleg grade, catalogued by Greil Marcus in his book Invisible Republic: Bob Dylan's Basement Tapes (1997),[22] and past Sid Griffin in Million Dollar Bash: Bob Dylan, the Ring, and the Basement Tapes (2007).[23]
The Bootleg Series Vol. 11: The Basement Tapes Complete presents the original recordings, and places them in roughly chronological club.[5] The original reel-to-reel tapes were in the possession of Garth Hudson, organist for the Hawks. He brought them to beau-Canadians, Jan Haust and Peter J. Moore who restored and digitized them for this release. Their work led them to be nominated in 2016 for a Grammy accolade for Best Historical Album.[24]
Reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 99/100 [25] |
| Review scores | |
| Source | Rating |
| AllMusic |  [26] |
| American Songwriter | [27] |
| Austin Chronicle | [28] |
| Blurt | [29] |
| Result of Audio | A [30] |
| The Guardian | [31] |
| Mojo | [32] |
| Paste | 10.0/10 [33] |
| Rolling Stone | [34] |
| Under the Radar |  [35] |
The Bootleg Series Vol. eleven: The Basement Tapes Consummate received unanimously positive reviews from critics. The critical aggregator website Metacritic awarded The Basement Tapes Complete a Metascore of 99, based on reviews by 18 critics, indicating "universal acclaim".[36]
Writing for AllMusic, Stephen Thomas Erlewine gave information technology five out of 5 stars, writing, "This is the wondrous matter about The Basement Tapes: this is music made with no expectation that anybody outside of a pocket-size circle would ever hear it."[37] Paste magazine rated the album ten out of ten, and chosen it "some of the most daring, creative and truly beautiful music always recorded".[38]
In his review for American Songwriter, Jim Beviglia gave it five out of five stars and wrote:
Music fans having access to the consummate athenaeum of The Basement Tapes is somewhat akin to historians being presented with the tapes of the meetings of the Continental Congress or fine art buffs who receive a videotape of Da Vinci's entire procedure of painting The Concluding Supper."[39]
Discussing the song "I'thou Not There", Jesse Jarnow said that "Here and everywhere, underscored by the newest remix, The Basement Tapes are almost purely beautiful — a feature not ofttimes associated with Dylan'south music."[twoscore]
Not all critics, however, were entirely pleased with the overwhelming abyss of the album, and considered a large amount of the album consisted of throwaway songs that were never meant to exist heard. In his review for The New Yorker magazine, Sasha Frere-Jones wrote, "Historically, these sessions have been treated with awe, as if something essential about both Dylan and popular song tin can exist found on the tapes. That'southward at best one-half true. The performances weren't approached with any kind of gravity, and are all-time listened to with no reverence at all. For every moment of revelation and synthesis, in that location are five throwaways."[41]
Rails list [edit]
The Basement Tapes Consummate [edit]
All songs written by Bob Dylan except where noted; traditional songs arranged by Dylan.
| No. | Championship | Writer(s) | Length |
|---|---|---|---|
| 1. | "Border of the Ocean" | 2:21 | |
| 2. | "My Bucket's Got a Hole in It" | Clarence Williams | 1:35 |
| iii. | "Curl on Train" | ii:00 | |
| 4. | "Mr. Blue" | DeWayne Blackwell | 1:52 |
| 5. | "Belshazzar" | Johnny Cash | 3:22 |
| 6. | "I Forgot to Call back to Forget" | Charlie Feathers, Stanley Kesler | iii:nineteen |
| seven. | "You Win Again" | Hank Williams | ii:43 |
| 8. | "Still in Boondocks" | Hank Cochran, Harlan Howard | three:04 |
| 9. | "Waltzing with Sin" | Sonny Burns, Red Hayes | 2:49 |
| 10. | "Big River" (Take 1) | Greenbacks | 0:43 |
| xi. | "Big River" (Take 2) | Cash | 2:23 |
| 12. | "Folsom Prison Blues" (Included on The Basement Tapes Raw) | Cash | ii:46 |
| xiii. | "Bells of Rhymney" | Idris Davies, Peter Seeger | 3:16 |
| xiv. | "Spanish is the Loving Tongue" | Charles Badger Clark | 3:53 |
| fifteen. | "Under Control" | 2:50 | |
| 16. | "Ol' Roison the Beau" | Traditional | 4:55 |
| 17. | "I'thou Guilty of Loving You" | Jerry Butler, Billy Butler (misattributed to Dylan) | 1:09 |
| 18. | "Absurd Water" | Bob Nolan | 3:04 |
| xix. | "The Auld Triangle" | Brendan Francis Behan | 5:47 |
| 20. | "Po' Lazarus" | Traditional | 1:00 |
| 21. | "I'm a Fool for You" (Take i) | 1:06 | |
| 22. | "I'm a Fool for Yous" (Have 2) | 2:34 | |
| Full length: | 58:31 | ||
| No. | Title | Author(s) | Length |
|---|---|---|---|
| 1. | "Johnny Todd" (Included on The Basement Tapes Raw) | Traditional | 2:05 |
| ii. | "Tupelo" | John Lee Hooker | ii:22 |
| 3. | "Kickin' My Dog Effectually" | Traditional | 2:43 |
| four. | "Run into You Later on Allen Ginsberg" (Take 1) | 0:30 | |
| v. | "Run into Y'all Later Allen Ginsberg" (Take 2) | 0:51 | |
| half-dozen. | "Tiny Montgomery" (Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | two:57 | |
| 7. | "Large Dog" | 0:24 | |
| viii. | "I'm Your Teenage Prayer" | 3:52 | |
| 9. | "Four Strong Winds" | Ian Tyson | iii:42 |
| 10. | "The French Daughter" (Take one) | Tyson, Sylvia Tyson | 2:12 |
| 11. | "The French Daughter" (Take two) | Tyson, Tyson | three:00 |
| 12. | "Joshua Gone Barbados" | Eric Von Schmidt | 2:46 |
| thirteen. | "I'm in the Mood" | Bernard Besman, Hooker | 1:58 |
| 14. | "Baby Ain't That Fine" | Dallas Frazier | 2:11 |
| 15. | "Rock, Salt and Nails" | Bruce Phillips | 4:37 |
| 16. | "A Fool Such Equally I" (a 1969 re-recorded version was released in 1973 on Dylan) | William Marvin Trader | 2:57 |
| 17. | "Song for Canada" | Pete Gzowski, Tyson | iv:31 |
| 18. | "People Become Ready" | Curtis Mayfield | three:fifteen |
| nineteen. | "I Don't Hurt Anymore" | Donald Robertson, Walter Rollins; Included on The Basement Tapes Raw | 2:15 |
| twenty. | "Be Conscientious of Stones That You Throw" | Benjamin Lee Blankenship[a 3] | 3:04 |
| 21. | "I Man'south Loss" | 3:52 | |
| 22. | "Lock Your Door" | 0:23 | |
| 23. | "Infant, Won't Yous Be My Baby" (Included on The Basement Tapes Raw) | two:53 | |
| 24. | "Try Me Little Girl" | 1:38 | |
| 25. | "I Tin can't Brand It Solitary" | three:34 | |
| 26. | "Don't You Endeavor Me Now" | iii:12 | |
| Total length: | 67:44 | ||
| No. | Title | Writer(due south) | Length |
|---|---|---|---|
| ane. | "Immature But Daily Growing" | Traditional | 5:twoscore |
| 2. | "Bonnie Ship the Diamond" | Traditional | 3:21 |
| 3. | "The Hills of Mexico" | Traditional | 3:05 |
| 4. | "Downwardly on Me" | Traditional | 0:43 |
| v. | "One for the Road" (Included on The Basement Tapes Raw) | 4:fifty | |
| vi. | "I'yard Alright" (Included on The Basement Tapes Raw) | one:46 | |
| 7. | "1000000 Dollar Bash" (Take 1; Included on The Basement Tapes Raw) | two:52 | |
| 8. | "Million Dollar Bash" (Take 2 – Originally released in 1975 on The Basement Tapes) | 2:35 | |
| 9. | "Yea! Heavy and a Bottle of Staff of life" (Take 1) | i:50 | |
| 10. | "Yea! Heavy and a Canteen of Bread" (Take ii – Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | 2:16 | |
| eleven. | "I'm Not In that location" (Originally released in 2007 on I'm Not In that location; Included on The Basement Tapes Raw) | 5:xiii | |
| 12. | "Please Mrs. Henry" (Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | ii:34 | |
| 13. | "Crash on the Levee (Down in the Flood)" (Take 1) | 2:xi | |
| 14. | "Crash on the Levee" (Take 2 – Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | two:06 | |
| 15. | "Lo and Behold!" (Take one; Included on The Basement Tapes Raw) | two:54 | |
| 16. | "Lo and Behold!" (Have 2 – Originally released in 1975 on The Basement Tapes) | 2:fifty | |
| 17. | "Y'all Own't Goin' Nowhere" (Take one; Included on The Basement Tapes Raw) | 2:48 | |
| 18. | "Yous Ain't Goin' Nowhere" (Take two – Originally released with overdubs in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | 2:46 | |
| 19. | "I Shall Exist Released" (Take 1) | four:04 | |
| 20. | "I Shall Be Released" (Take 2 – Originally released in 1991 on The Homemade Series Vol. 1–iii; Included on The Basement Tapes Raw) | 3:58 | |
| 21. | "This Wheel's on Fire" (Originally released with overdubs in 1975 on The Basement Tapes) | Dylan, Rick Danko | iii:54 |
| 22. | "Too Much of Nothing" (Take i – Originally released with overdubs in 1975 on The Basement Tapes) | 3:03 | |
| 23. | "As well Much of Nothing" (Take 2; Included on The Basement Tapes Raw) | 2:51 | |
| Full length: | 70:ten | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Tears of Rage" (Have i) | Dylan, Richard Manuel | four:04 |
| ii. | "Tears of Rage" (Take 2) | Dylan, Manuel | ii:31 |
| 3. | "Tears of Rage" (Accept 3 – Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | Dylan, Manuel | four:fifteen |
| 4. | "Quinn the Eskimo" (Accept 1) | 2:03 | |
| 5. | "Quinn the Eskimo" (Have two – Originally released in 1985 on Biograph; Included on The Basement Tapes Raw) | 2:16 | |
| 6. | "Open up the Door Homer" (Take 1 – Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | 2:53 | |
| 7. | "Open up the Door Homer" (Have 2) | 0:58 | |
| eight. | "Open the Door Homer" (Take iii) | iii:xiv | |
| nine. | "Nil Was Delivered" (Take 1 – Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | 4:26 | |
| 10. | "Nothing Was Delivered" (Have ii) | 3:44 | |
| 11. | "Nothing Was Delivered" (Take 3) | 0:33 | |
| 12. | "All American Boy" | Bobby Bare | iii:59 |
| 13. | "Sign on the Cross" (Have three; Included on The Basement Tapes Raw) | vii:21 | |
| 14. | "Odds and Ends" (Take 1; Included on The Basement Tapes Raw) | i:48 | |
| fifteen. | "Odds and Ends" (Take 2 – Originally released in 1975 on The Basement Tapes) | 1:49 | |
| 16. | "Become Your Rocks Off" (Included on The Basement Tapes Raw) | iii:46 | |
| 17. | "Clothes Line Saga (Answer to Ode)" (Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | two:59 | |
| eighteen. | "Apple Suckling Tree" (Take ane) | 2:41 | |
| xix. | "Apple tree Suckling Tree" (Take 2 – Originally released in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | ii:50 | |
| 20. | "Don't Ya Tell Henry" (Included on The Basement Tapes Raw) | ii:31 | |
| 21. | "Bourbon Street" | v:05 | |
| Total length: | 65:46 | ||
| No. | Title | Author(due south) | Length |
|---|---|---|---|
| 1. | "Blowin' in the Wind" (Included on The Basement Tapes Raw) | half-dozen:36 | |
| ii. | "1 Too Many Mornings" (Included on The Basement Tapes Raw) | iii:23 | |
| three. | "A Satisfied Heed" | Hayes, Jack Rhodes | 2:01 |
| 4. | "It Ain't Me, Babe" | 3:32 | |
| 5. | "Ain't No More Cane" (Take 1) | Traditional | 2:41 |
| 6. | "Own't No More Cane" (Take 2; Included on The Basement Tapes Raw) | Traditional | 1:58 |
| 7. | "My Woman She's A-Leavin'" | ii:thirty | |
| 8. | "Santa-Iron" (Originally released in 1991 on The Homemade Serial Vol. 1–3; Included on The Basement Tapes Raw) | 2:08 | |
| 9. | "Mary Lou, I Love You Too" | 2:xxx | |
| 10. | "Dress it Up, Improve Have it All" (Included on The Basement Tapes Raw) | 2:53 | |
| eleven. | "Minstrel Boy" (Originally released in 2013 on The Bootleg Serial Vol. 10; Included on The Basement Tapes Raw) | 1:40 | |
| 12. | "Silent Weekend" (Included on The Basement Tapes Raw) | iii:01 | |
| 13. | "What'south it Gonna Exist When it Comes Up" | iii:04 | |
| 14. | "900 Miles from My Habitation" (Included on The Basement Tapes Raw) | Traditional | 2:fourteen |
| 15. | "Wildwood Flower" | A. P. Carter | 2:11 |
| sixteen. | "One Kind Favor" (Often credited elsewhere equally Encounter That My Grave Is Kept Make clean) | Traditional | three:33 |
| 17. | "She'll Be Coming 'Round the Mount" | Traditional | one:39 |
| eighteen. | "It's the Flight of the Bumblebee" | two:09 | |
| 19. | "Wild Wolf" | three:35 | |
| 20. | "Goin' to Acapulco" (Originally released with overdubs in 1975 on The Basement Tapes; Included on The Basement Tapes Raw) | 5:37 | |
| 21. | "Gonna Get You Now" | 1:31 | |
| 22. | "If I Were a Carpenter" | James Timothy Hardin | 2:23 |
| 23. | "Confidential" | Dorina Morgan | 1:37 |
| 24. | "All You Take to Do Is Dream" (Take ane) | three:56 | |
| 25. | "All You Have to Practise Is Dream" (Take 2; Included on The Basement Tapes Raw) | 3:20 | |
| Total length: | 71:42 | ||
| No. | Championship | Writer(s) | Length |
|---|---|---|---|
| ane. | "2 Dollars and 99 Cents" | 2:35 | |
| two. | "Jelly Edible bean" | 2:58 | |
| 3. | "Whatsoever Fourth dimension" | 3:17 | |
| 4. | "Down by the Station" | one:29 | |
| 5. | "Hallelujah, I've Just Been Moved" | Traditional | 3:04 |
| 6. | "That's the Breaks" | 4:18 | |
| vii. | "Pretty Mary" | 3:12 | |
| 8. | "Will the Circle Be Unbroken?" | Carter | ii:09 |
| 9. | "King of France" | 3:53 | |
| 10. | "She's On My Mind Once again" | 4:18 | |
| xi. | "Goin' Down the Road Feeling Bad" | Traditional | 3:21 |
| 12. | "On a Rainy Afternoon" | ii:53 | |
| thirteen. | "I Can't Come in with a Broken Heart" | ii:42 | |
| 14. | "Next Time on the Highway" | 2:20 | |
| fifteen. | "Northern Claim" | ii:05 | |
| 16. | "Love Is Only Mine" | one:50 | |
| 17. | "Silhouettes" | Bob Crewe, Frank Slay Jr. | 1:52 |
| xviii. | "Bring information technology on Home" | iii:07 | |
| 19. | "Come All Ye Off-white and Tender Ladies" | Traditional | 2:09 |
| 20. | "The Spanish Vocal" (Take 1) | 2:47 | |
| 21. | "The Spanish Song" (Have two) | two:16 | |
| 22. | "900 Miles from My Home/Confidential" (Hidden track) | Traditional/Dorina Morgan | 2:27 |
| Total length: | 61:02 | ||
The Basement Tapes Raw [edit]
Released alongside the "Complete" set is a two-disc drove of highlights.
| No. | Title | Writer(due south) | Length |
|---|---|---|---|
| 1. | "Open the Door, Homer" (Restored version) | two:52 | |
| 2. | "Odds and Ends" (Alternating version) | ane:48 | |
| iii. | "Million Dollar Bash" (Alternate version) | ii:52 | |
| 4. | "One Too Many Mornings" (Unreleased) | 3:23 | |
| 5. | "I Don't Hurt Anymore" (Unreleased) | Robertson, Rollins | 2:15 |
| 6. | "Ain't No More Cane" (Alternate version) | Traditional | ane:57 |
| 7. | "Crash on the Levee" (Restored version) | 2:05 | |
| eight. | "Tears of Rage" (Without overdubs) | Dylan, Manuel | iv:14 |
| ix. | "Dress Information technology Up, Meliorate Accept It All" (Unreleased) | 2:52 | |
| ten. | "I'm Non There" (Previously released) | 5:12 | |
| 11. | "Johnny Todd" (Unreleased) | Traditional | 2:04 |
| 12. | "Besides Much of Nothing" (Alternate version) | 2:52 | |
| 13. | "Quinn the Eskimo" (Restored version) | two:16 | |
| 14. | "Get Your Rocks Off" (Unreleased) | three:46 | |
| xv. | "Santa-Atomic number 26" (Previously released) | two:08 | |
| xvi. | "Silent Weekend" (Unreleased) | 3:00 | |
| 17. | "Wearing apparel Line Saga" (Restored version) | 2:59 | |
| 18. | "Please, Mrs. Henry" (Restored version) | ii:34 | |
| 19. | "I Shall Be Released" (Restored version) | iii:55 | |
| Total length: | 54:54 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| ane. | "You Ain't Goin' Nowhere" (Alternating version) | 2:48 | |
| 2. | "Lo and Behold!" (Alternate version) | 2:53 | |
| 3. | "Minstrel Male child" (Previously released) | one:39 | |
| 4. | "Tiny Montgomery" (Without overdubs) | 2:56 | |
| v. | "All You Have to Do is Dream" (Unreleased) | 3:23 | |
| 6. | "Goin' to Acapulco" (Without overdubs) | 5:36 | |
| 7. | "900 Miles from My Home" (Unreleased) | Traditional | 2:thirteen |
| 8. | "One for the Road" (Unreleased) | 4:49 | |
| 9. | "I'm Alright" (Unreleased) | one:45 | |
| 10. | "Blowin' in the Wind" (Unreleased) | half dozen:35 | |
| 11. | "Apple Suckling Tree" (Restored version) | 2:50 | |
| 12. | "Cypher Was Delivered" (Restored version) | 4:26 | |
| 13. | "Folsom Prison Blues" (Unreleased) | Cash | 2:46 |
| 14. | "This Bike's on Burn" (Without overdubs) | Dylan, Danko | 3:54 |
| fifteen. | "Yea! Heavy and a Canteen of Breadstuff" (Restored version) | ii:xvi | |
| sixteen. | "Don't Ya Tell Henry" (Alternate version) | two:30 | |
| 17. | "Baby, Won't You Be My Baby" (Unreleased) | 2:52 | |
| 18. | "Sign on the Cross" (Unreleased) | seven:21 | |
| 19. | "You Ain't Goin' Nowhere" (Without overdubs) | two:43 | |
| Total length: | 66:xv | ||
Personnel [edit]
- Bob Dylan – acoustic guitar, harmonica, piano, vocals
- Rick Danko – bass guitar, vocals
- Garth Hudson – organ
- Richard Manuel – pianoforte, drums, vocals
- Robbie Robertson – electric guitar, drums, vocals
- Levon Helm – drums, vocals (select tracks, unknown)
See too [edit]
- Lost on the River: The New Basement Tapes
- List of Basement Tapes songs
Notes [edit]
- ^ The songs on the demo were: "Million Dollar Fustigate", "Yea! Heavy and a Canteen of Bread", "Please Mrs. Henry", "Down in the Inundation", "Lo and Behold", "Tiny Montgomery", "This Wheel's on Fire", "You Ain't Goin' Nowhere", "I Shall Be Released", "Tears of Rage", "Too Much of Nothing", "The Mighty Quinn", "Open up the Door, Homer" and "Aught Was Delivered" (Griffin 2007, pp. 229–230).
- ^ When Albert Grossman was shopping around for a recording contract for the Hawks in belatedly 1967, the group instructed him to sign them nether the name the Crackers—a derogatory term for poor white Southerners. The ring as well mischievously dubbed themselves the Honkies. It was only when Helm joined them in Woodstock that they settled on calling themselves the Band (Hoskyns 1993, pp. 143–144).
- ^ The attribution of "Be Careful of Stones That You Throw" to Benjamin Lee Blankenship has been questioned. (Fraser, Alan. ""Searching For A Gem": The Bootleg Series Vol. 11 – The Basement Tapes Raw/Complete". ) Both Sid Griffin's One thousand thousand Dollar Bash: Bob Dylan, The Band, and the Basement Tapes (Griffin 2007, p. 130) and Derek Barker'south The Songs He Didn't Write: Bob Dylan Under The Influence (Barker 2008, p. 33) write the song was written by Bonnie Dodd; it was first released by Little Jimmy Dickens in 1949, and was a hit for Hank Williams, performing every bit Luke The Drifter, in 1952.
Footnotes [edit]
- ^ "Bob Dylan and the Holy Grail: Basement Tapes Officially Released Afterward 47 Years". Highbrowmagazine.com . Retrieved 2016-06-11 .
- ^ "40 Years Agone: Bob Dylan and the Band's 'Basement Tapes' Finally Gets an Official Release". Ultimateclassicrock.com. 2015-06-26. Retrieved 2016-06-11 .
- ^ Eric Harvey (2012-09-12). "Bob Dylan's Great White Wonder: The Story of the World's First Album Leak". Pitchfork.com . Retrieved 2016-06-eleven .
- ^ "GRAMMY Awards Winners & Nominees for Best Historical Album". Grammy.com. Retrieved January 31, 2020.
- ^ a b Greene, Andy (August 26, 2014). "Bob Dylan'south Complete, Legendary 'Basement Tapes' Will Be Released". Rollingstone.com. Retrieved October 29, 2014.
- ^ Scherman 2006
- ^ Griffin 2007, pp. 46, 52–53
- ^ Rollins, Ben (November 1, 2014). "The Basement Tapes Track-by-Track". bobdylan.com. Archived from the original on December v, 2014. Retrieved November 24, 2014.
- ^ Sounes 2001, pp. 209–210
- ^ Griffin 2007, pp. 229–230
- ^ Griffin 2007, p. 228. Capitals as printed in original interview.
- ^ Whitburn 2004, p. 488
- ^ Griffin 2007, p. 230
- ^ Roberts 1999, p. 278
- ^ Roberts 1999, p. 176
- ^ Gilliland 1969, prove 54, rail iii.
- ^ Griffin 2007, p. 270
- ^ Griffin 2007, p. 280
- ^ Sounes 2001, p. 240
- ^ Sounes 2001, p. 478
- ^ Greyness 2000, p. 9
- ^ Marcus 1997, pp. 235–265
- ^ Griffin, Sid (2007). One thousand thousand Dollar Bash: Bob Dylan, the Band, and the Basement Tapes. Jawbone. ISBN978-1-906002-05-3.
- ^ David Friend (2016-02-17). "Bob Dylan's restored 'Basement Tapes' requite Toronto duo Grammy attention | Toronto Star". Thestar.com . Retrieved 2016-06-xi .
- ^ "The Bootleg Serial Vol. 11: The Basement Tapes Consummate Reviews". Metacritic.com. Retrieved April 26, 2016.
- ^ Stephen Thomas Erlewine (2014-11-03). "The Homemade Series, Vol. 11: The Basement Tapes – Complete – Bob Dylan,The Band | Songs, Reviews, Credits". AllMusic. Retrieved 2016-06-11 .
- ^ Beviglia, Jim (2014-10-31). "Bob Dylan & The Band: The Basement Tapes Consummate « American Songwriter". Americansongwriter.com . Retrieved 2016-06-11 .
- ^ Scott Schinder (2014-12-12). "Review: Bob Dylan & The Band – Music". The Austin Chronicle . Retrieved 2016-06-11 .
- ^ Mills, Fred (2014-xi-04). "BOB DYLAN AND THE BAND – The Basement Tapes Consummate – Blurt Magazine". Blurtonline.com . Retrieved 2016-06-11 .
- ^ Kaye, Ben (2014-11-06). "Bob Dylan and the Ring – The Basement Tapes Raw: The Bootleg Series Vol. xi | Album Reviews". Consequence of Sound. Retrieved 2016-06-eleven .
- ^ Alexis Petridis. "Bob Dylan and the Band: The Basement Tapes Consummate review – rickety, strange and utterly timeless | Music". The Guardian . Retrieved 2016-06-eleven .
- ^ Simmons, Michael (2014-11-03). "Bob Dylan's Complete Basement Tapes: Read MOJO'south Review". Mojo4music.com . Retrieved 2016-06-11 .
- ^ "Bob Dylan and The Band: The Basement Tapes Complete Review :: Music :: Reviews :: Paste". Pastemagazine.com . Retrieved 2016-06-eleven .
- ^ Fricke, David (2014-11-05). "Bob Dylan The Basement Tapes Complete: The Homemade Series Vol. xi Album Review". Rolling Rock. Retrieved 2016-06-xi .
- ^ Wojtas, Michael. "Bob Dylan: The Basement Tapes Complete: The Homemade Serial Vol. xi (Columbia/Legacy) Review | Under the Radar – Music Magazine". Undertheradarmag.com . Retrieved 2016-06-xi .
- ^ "The Basement Tapes Consummate: The Bootleg Serial Vol. eleven". metacritic.com. Retrieved November 26, 2014.
- ^ Erlewine, Stephen (November iii, 2014). "The Basement Tapes Complete: The Bootleg Series Vol. 11". allmusic.com. Retrieved December ane, 2014.
- ^ Douglas Heselgrave, Bob Dylan and The Ring: The Basement Tapes Complete Review Nov 11, 2014
- ^ Jim Beviglia, Bob Dylan & The Ring: The Basement Tapes Complete October 31st, 2014
- ^ Jesse Jarnow "Secrets For Sale: Bob Dylan's 'Basement Tapes' Maintain Their Mystery Despite Consummate Release"
- ^ Sasha-Frere Jones, "After the Fall" The New Yorker
References [edit]
- Barker, Derek (2008). Bob Dylan: The Songs He Didn't Write: Bob Dylan Under the Influence. Chrome Dreams. ISBN978-1-84240-424-9.
- Gilliland, John (1969). "Hail, Hail, Rock 'n' Roll: Getting back to rock's funky, essential essence" (sound). Popular Chronicles. Academy of North Texas Libraries.
- Gray, Michael (2000). Vocal & Dance Man 3. Continuum. ISBN0-8264-5150-0.
- Griffin, Sid (2007). Million Dollar Bash: Bob Dylan, the Band, and the Basement Tapes. Jawbone. ISBN978-1-906002-05-3.
- Hoskyns, Barney (1993). Across The Great Divide: The Ring and America. Viking. ISBN0-670-84144-7.
- Marcus, Greil (1997). Invisible Republic: Bob Dylan's Basement Tapes. Picador. ISBN0-330-33624-Ten.
- Scherman, Tony (July 29, 2006). "The Bob Dylan Motorcycle-Crash Mystery". American Heritage. Archived from the original on November 6, 2006. Retrieved June 18, 2014.
- Roberts, David (1999). Guinness British Hit Singles . Guinness Publishing. ISBN0-85112-092-X.
- Sounes, Howard (2001). Downwardly the Highway: The Life of Bob Dylan. Grove Press. ISBN0-8021-1686-eight.
- Whitburn, Joel (2004). The Billboard Volume of Top 40 Hits (8th ed.). Billboard Books. ISBN0-8230-7499-four.
External links [edit]
- BobDylan.com – Official web site, including lyrics and touring schedule.
- Bob Dylan 1967 recording sessions at Olof Björner'due south website.
Source: https://en.wikipedia.org/wiki/The_Bootleg_Series_Vol._11:_The_Basement_Tapes_Complete
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